Flexible Offline Capabilities
We offer in-person or remote Avid offline systems for any type of project. We can be flexible to your needs.
- Remote offline is on a shared VPN protected storage network
- In-person offline is based at our facility in lower Manhattan, NY
- 24/7 access to all your media and projects
- Secure media transfer services
- Tech Support
Color Grading & Correction
We utilize Symphony-enabled Avid Media Composer Artist I/O suites. Our editing suites use Flanders Scientific 10-bit LCD screens with 12-bit processing and color-graded monitors.
- Color Grading
- Primary & secondary color correction
- Scene-to-scene matching
- Highlights & lowlights
- White balance correction
- Overall balance & tone creation with legalizer
- Ensuring video is broadcast-safe
Sound Mixing & Design
Digital Graffiti is equipped with a 5.1 surround sound monitoring and playback environment. We utilize Pro Tools with HDX acceleration cards.
- Capable of outputting 18 channels of AES audio simultaneously
- Full array of plugins including Waves, Cedar, iZotope, and Zynaptiq software -Equipped with Avid Artist Series
- Genelec monitors provide flat frequency response
- Correct Dialnorm for CALM Act Compliance
- Noise reduction
- Smooth music edits
- Audio track equalization
- Peak limits
- Dynamic range control
- Original Music Composition
- Sound Effects Library
Final Mastering, Video Finishing & Delivery
Full machine room, multiple file and format delivery
- Video encoding including a full array of video codecs available through Adobe Media Encoder
- Client monitoring using calibrated consumer HD plasma televisions to ensure translation of color in one viewing environment
- Final product technical evaluation set to client’s tech specs
- Fast encrypted digital file-based deliveries
- LTO-8 Project Back-Ups