CC-for-NOSO_IJ_Before_AfterColor Grading & Correction:

We utilize a Storage Area Network on a 8Gbps fiber channel to support Symphony-enabled Avid Media Composer Nitris DX suites. Our editing suites use Flanders Scientific 10-bit LCD screens with 12-bit processing and color-graded monitors.

  • Color Grading
  • Primary & secondary color correction
  • Scene-to-scene matching
  • Highlights & lowlights
  • White balance correction
  • Overall balance & tone creation with legalizer
  • Ensuring video is broadcast-safe

Sound Mixing & Design:

Digital Graffiti is equipped with a 5.1 surround sound monitoring and playback environment. We utilize Pro Tools with HDX acceleration cards.

  • Capable of outputting 18 channels of AES audio simultaneously
  • Full array of plugins including Waves, Cedar, iZotope, and Zynaptiq software -Equipped with Avid Artist Series
  • Genelec monitors provide flat frequency response
  • Correct Dialnorm for CALM Act Compliance
  • Noise reduction
  • Smooth music edits
  • Audio track equalization
  • Peak limits
  • Dynamic range control
  • Original Music Composition
  • Sound Effects Library


Final Mastering, Video Finishing, & Delivery:

Full machine room, multiple file and format delivery

  • Closed Captioning
  • Blurring & Tracking
  • Video encoding including a full array of video codecs available through Sorenson Squeeze Pro
  • Upconverting equipped with Teranex real time SDI stream to HD-SDI
  • Client monitoring using calibrated consumer HD plasma televisions to ensure translation of color in one viewing environment
  • Master final product to Digital File, HDCAM-SR, HDCAM, LTO-5, Digital Beta, DVC Pro, DVD
  • Final product technical evaluation using Baton software set to client’s tech specs
  • Aspera Enterprise Server featuring Faspex for fast file-based deliveries
  • LTO-5 Project Back-Ups