Flexible Offline Capabilities

We offer in-person or remote Avid offline systems for any type of project. We can be flexible to your needs.

  • Remote offline is on a shared VPN protected storage network 
  • In-person offline is based at our facility in lower Manhattan, NY
  • 24/7 access to all your media and projects
  • Secure media transfer services
  • Tech Support

CC-for-NOSO_IJ_Before_AfterColor Grading & Correction

We utilize Symphony-enabled Avid Media Composer Artist I/O suites. Our editing suites use Flanders Scientific 10-bit LCD screens with 12-bit processing and color-graded monitors.

  • Color Grading
  • Primary & secondary color correction
  • Scene-to-scene matching
  • Highlights & lowlights
  • White balance correction
  • Overall balance & tone creation with legalizer
  • Ensuring video is broadcast-safe

Sound Mixing & Design

Digital Graffiti is equipped with a 5.1 surround sound monitoring and playback environment. We utilize Pro Tools with HDX acceleration cards.

  • Capable of outputting 18 channels of AES audio simultaneously
  • Full array of plugins including Waves, Cedar, iZotope, and Zynaptiq software -Equipped with Avid Artist Series
  • Genelec monitors provide flat frequency response
  • Correct Dialnorm for CALM Act Compliance
  • Noise reduction
  • Smooth music edits
  • Audio track equalization
  • Peak limits
  • Dynamic range control
  • Original Music Composition
  • Sound Effects Library

Final Mastering, Video Finishing & Delivery

Full machine room, multiple file and format delivery

  • Video encoding including a full array of video codecs available through Adobe Media Encoder
  • Client monitoring using calibrated consumer HD plasma televisions to ensure translation of color in one viewing environment
  • Final product technical evaluation set to client’s tech specs
  • Fast encrypted digital file-based deliveries
  • LTO-8 Project Back-Ups