Color Grading & Correction:
We utilize a Storage Area Network on a 8Gbps fiber channel to support Symphony-enabled Avid Media Composer Nitris DX suites. Our editing suites use Flanders Scientific 10-bit LCD screens with 12-bit processing and color-graded monitors.
- Color Grading
- Primary & secondary color correction
- Scene-to-scene matching
- Highlights & lowlights
- White balance correction
- Overall balance & tone creation with legalizer
- Ensuring video is broadcast-safe
Sound Mixing & Design:
Digital Graffiti is equipped with a 5.1 surround sound monitoring and playback environment. We utilize Pro Tools with HDX acceleration cards.
- Capable of outputting 18 channels of AES audio simultaneously
- Full array of plugins including Waves, Cedar, iZotope, and Zynaptiq software -Equipped with Avid Artist Series
- Genelec monitors provide flat frequency response
- Correct Dialnorm for CALM Act Compliance
- Noise reduction
- Smooth music edits
- Audio track equalization
- Peak limits
- Dynamic range control
- Original Music Composition
- Sound Effects Library
Final Mastering, Video Finishing, & Delivery:
Full machine room, multiple file and format delivery
- Closed Captioning
- Blurring & Tracking
- Video encoding including a full array of video codecs available through Sorenson Squeeze Pro
- Upconverting equipped with Teranex real time SDI stream to HD-SDI
- Client monitoring using calibrated consumer HD plasma televisions to ensure translation of color in one viewing environment
- Master final product to Digital File, HDCAM-SR, HDCAM, LTO-5, Digital Beta, DVC Pro, DVD
- Final product technical evaluation using Baton software set to client’s tech specs
- Aspera Enterprise Server featuring Faspex for fast file-based deliveries
- LTO-5 Project Back-Ups
